The Fantasia International Film Festival will celebrate its upcoming 29th edition with an electrifying program of screenings, workshops, and launch events running from July 16 through August 3, 2025, returning to the Concordia Hall and J.A. de Sève cinemas, with additional screens and events at Montréal’s Cinéma du Musée and BBAM! Gallery.
The festival website is now live with the complete lineup of over 125 features and 200+ shorts available to be explored. Ticket pre-sales is now open
Fantasia is very pleased to reveal its massive final wave of titles, their numerous 2025 competitions, and selections of jurors – as well as this year’s plethora of special events, exhibitions, and artist talks!
| OFFICIAL CLOSING FILM: GENNDY TARTAKOVSKY’S FIXED From Sony Pictures Animation, Netflix, and top-tier animator Genndy Tartakovsky (SAMURAI JACK, PRIMAL, HOTEL TRANSYLVANIA) comes FIXED, an adult animated comedy that’s lewd, rude, raunchy, and riotously funny! Tartakovsky carries the torch forward here for the finest craftsmen of classic TV cartoon foolishness, recalling Chuck Jones, Tex Avery, and Hanna-Barbera, although they never got away with anything as outrageous as FIXED! Bull (Adam Devine) is a lovable mutt and loyal buddy to his pack, including brawny boxer Rocco (Idris Elba), pretentious dachshund Fetch (Fred Armisen), and neurotic beagle Lucky (Bobby Moynihan). He also has a massive crush on Honey (Kathryn Hahn), the sexy show dog next door, but his pride and joy are his magnificent testicles. Alarmed by indications that a trip to the vet looms in his immediate future, the frantic Bull will do anything to delay the inevitable—or at least unleash his carnal impulses while he still can! Genndy Tartakovsky’s FIXED is coming to Fantasia, with its mind in the gutter, its heart in the right place, and its balls entirely intact! Animation Plus Section. Canadian Premiere. |
| CHEVAL NOIR CAREER ACHIEVEMENT AWARD: GENNDY TARTAKOVSKY From the cutest children’s cartoons to R-rated adult content, from cutting-edge cult series to blockbuster family fun, American animator, screenwriter, producer, and director (and why not, occasional voice actor) Genndy Tartakovsky has explored them all – and delivered hit after animated hit for three solid decades. While each is distinct from the other, all his works share his bold storytelling, sturdy graphic style, and magisterial design sensibility. The creator of such essential franchises as POWERPUFF GIRLS, PRIMAL, HOTEL TRANSYLVANIA, and SAMURAI JACK visits Fantasia for the National premiere of his latest effort, the raunchy canine rom-com FIXED, the perfect moment to toast his amazing accomplishments to date, and to come! |
| CHEVAL NOIR CAREER ACHIEVEMENT AWARD: DANNY ELFMAN As a renowned film composer, his name merits mention in the same breath as Hermann, Morricone, Rota, and Barry. Danny Elfman has a particular perch among the pantheon, however, as the patron saint of movie music for the freaks, geeks, monster kids, and misfits among us—the very souls that haunt the darkened halls of Fantasia. He’d busked across Africa, built a beer-can gamelan, and fronted the pioneering new-wave band Oingo Boingo before he’d even scored his first film. But PEE-WEE’S BIG ADVENTURE, 40 years ago, marked the beginning of an incandescent creative bond with director Tim Burton that hasn’t weakened to this day, with landmark scores for everything from EDWARD SCISSORHANDS, BEETLEJUICE, BATMAN, BIG FISH, CHARLIE AND THE CHOCOLATE FACTORY, and Netflix’s WEDNESDAY, among many others. Over the years, Elfman has set the mood, musically, for not only Burton but for a veritable honour roll of film titans with unforgettable compositions for THE NIGHTMARE BEFORE CHRISTMAS, DARKMAN, GOOD WILL HUNTING, THE FRIGHTENERS, MEN IN BLACK, THE GIFT, SPIDER-MAN, HULK, AMERICAN HUSTLE, BEFORE I WAKE, FIFTY SHADES OF GREY, WHITE NOISE, and DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS – just to name a few! As he helps spring his latest project, the animated short BULLET TIME by Eddie Alcazar (DIVNITY), upon an unsuspecting Fantasia 2025, the festival celebrates the occasion with a salute to a true maestro whose mark on modern pop culture is absolutely indelible. |
| CANADIAN TRAILBLAZER AWARD: SHEILA MCCARTHY Fantasia is thrilled to present a Canadian Trailblazer Award to Sheila McCarthy. Long celebrated as one of Canada’s great performers, her first notable lead role in Patricia Rozema’s 1987 landmark I’VE HEARD THE MERMAIDS SINGING won several awards, including the People’s Choice Award at Cannes; the Chaplin Award in Vevey, Switzerland; and her first of two Canadian Screen Awards. Sheila won ACTRA’s Best Actress Award for her film, the TIFF-premiered CARDINALS, opposite Noah Reid in 2018. With a celebrated career in film and TV, from Helen Shaver’s psychological thriller HAPPY PLACE to ANYTHING FOR JACKSON and Brandon Cronenberg’s ANTIVIRAL; to the Oscar-winning WOMEN TALKING with Sarah Polley – where she and her castmates were the recipients of the Robert Altman Award for Best Ensemble at the 2023 Film Independent Spirit Awards, to Netflix’s UMBRELLA ACADEMY, NBC’s TRANSPLANT, and the TIFF-selected film LIKE A HOUSE ON FIRE, McCarthy’s talent is clear. And she hasn’t stopped – with recent TV credits including an arc on Netflix’s UMBRELLA ACADEMY, starring in Hubert Davis’ Fantasia 2025 selection THE WELL, and DANCING ON THE ELEPHANT with Amanda Brugel and Mary Walsh. She can be seen next in the Peacock series COPENHAGEN and THE MINIATURE WIFE. |
| DENIS-HÉROUX AWARD: ANNE-MARIE GÉLINAS Anne-Marie Gélinas is one of Quebec’s leading independent film producers. With degrees in communications from Concordia University and cultural management from HEC Montréal, she founded EMAfilms in 2008 in Montreal. Her company stands out for its bold approach, producing stories that inspire and entertain, in both fiction and documentary. She is behind several international award-winning works, including Tracey Deer’s BEANS (2021), winner of the Crystal Bear at the Berlinale and the Canadian Screen Award for Best Film, Hélène Choquette’s CHIENNE DE VIE (Hot Docs, 2015) and the cult genre film TURBO KID (Sundance, SXSW, 2015). Gélinas also made a name for herself as executive producer of Kim Nguyen’s REBELLE (WAR WITCH), which was nominated for an Oscar and won awards at Berlin and Tribeca. Other notable productions include RADIUS, LEPAGE AU SOLEIL, UNE BOUTEILLE À LA MER, and MARS ET AVRIL. She’s won numerous awards, including a Saturn and several local distinctions. A committed producer, visionary, and strategist, Anne-Marie Gélinas continues to make Quebec cinema shine on the international stage with a rich, human, and powerful filmography. |
| INDIE MAVERICK AWARD: LLOYD KAUFMAN When it comes to independent American cinema, Lloyd Kaufman is a true maverick, a one-of-a-kind filmmaker, distributor, entrepreneur, marketer, and full-on character who, alongside Michael Herz, built Troma: a film production company whose name defines maximalist and excessive low-budget exploitation cinema the way Hitchcock defines suspense or Disney defines animation. From SQUEEZE PLAY, THE TOXIC AVENGER, and CLASS OF NUKE ‘EM HIGH to SGT. KABUKIMAN, NYPD, TROMEO & JULIET, POULTRYGEIST, and beyond, Troma movies offer a radical entertainment the majors can never provide. In the process, they’ve given crucial first starts to generations of young talents at the dawns of their careers, from James Gunn and Jennifer Aspinall to Trey Parker, Matt Stone, and Vincent D’Onofrio. Kaufman and Troma have always found alternative ways of making, creating, and promoting their unique entertainment, which has included a multitude of appearances at Fantasia across our history. Now, at the World Premiere of OCCUPY CANNES, Fantasia celebrates Kaufman with our inaugural Indie Maverick award for 51 years of insane, gross, and just plain fun movies that no one else ever could have made. There will never be another like him. |
JUSTICE WILL BE SERVED AT THE WORLD PREMIERE OF THE VERDICT
Do you get the impression that the super-wealthy are above the law? Raka, an elite court security guard played by the excellent Rio Dewanto, sees it every day—trust-fund babies escaping consequences thanks to their family’s influence, shady lawyers, and an overall corrupt system. When his pregnant wife is murdered by an affluent young man flexing his invulnerability, the trial is nothing but another masquerade, and Raka takes it upon himself to deliver justice. The class divide has rarely been exposed in such an impactful and satisfying fashion as in this extraordinary co-production between South Korea and Indonesia. Co-directors Lee Chang-hee (Fantasia 2018 selection THE VANISHED) and Yusron Fuadi (THE DRAFT!) hit a home run with THE VERDICT thanks to a solid script, fast-paced editing, and a score reminiscent of Hans Zimmer’s work on Nolan’s BATMAN. Screening as one of Fantasia’s major opening night events, THE VERDICT is a dynamic and entertaining film that forces viewers to reflect on justice and vengeance. World Premiere.
A SPECIAL SCREENING OF PARAMOUNT’S HOTLY ANTICIPATED ANIMATED ADVENTURE, SMURFS
When Papa Smurf (John Goodman) is mysteriously taken by evil wizards Razamel and Gargamel, Smurfette (Rihanna) leads the SMURFS on a mission into the real world to save him. With the help of new friends, the Smurfs must discover what defines their destiny to save the universe. Directed by Chris Miller (SHREK THE THIRD, PUSS IN BOOTS), SMURFS features an all-star voice cast including James Corden, Nick Offerman, JP Karliak, Daniel Levy, Amy Sedaris, Natasha Lyonne, Sandra Oh, and Octavia Spencer.My First Fantasia Section. Special Screening.
THE UNDERTONE THINS THE VEIL BETWEEN LIFE AND DEATH TO REVEAL A TERRIFYING CURSED REALITY
Established sci-fi author Ian Tuason’s first feature brings terror to the podcasting arena, creating an unforgettable horror experience! Nina Kiri (THE HERETICS, THE HANDMAID’S TALE) stars as podcaster Evy. Having to tend to her dying mother, working as a co-host of The Undertone is the one thing that keeps her tethered to normalcy. When her co-host Justin (Kris Holden-Ried, THE UMBRELLA ACADEMY, LOST GIRL) presents ten disturbing audio files of a man and his wife, the story they tell becomes weirdly connected to Evy and her mother. With brilliant use of a home as the liminal space between life and death, an intense performance by genre favorite Kiri, and haunting sound design that will leave your blood cold, THE UNDERTONE is a new entry in the haunting folk horror catalog you won’t soon forget. Septentrion Shadows Section. World Premiere.
AN EXHILARATING FEAT OF FILMMAKING: GABRIELE MAINETTI’S FORBIDDEN CITY
Two unlikely people, a chef and an immigrant martial artist, search (and fight!) for the truth in the underbelly of Rome in this massively entertaining mix of martial arts, crime, and romance. Unquestionably one of the best films of 2025, FORBIDDEN CITY establishes Fantasia alum Gabriele Mainetti (2016’s THEY CALL ME JEEG ROBOT and 2023’s FREAKS OUT) as one of the best commercial filmmakers in movies today, with a cinematic knockout that’s going to slap a huge smile on your face. Yaxi Liu, making her formal lead acting debut after blowing minds as the main stunt double in MULAN, truly impresses with a breakout performance that’s by turns strong, funny, and heartbreaking. Co-starring Enrico Borello (FAMILIA), Sabrina Ferilli (THE GREAT BEAUTY), and Marco Giallini (PERFECT STRANGERS). Films like this don’t come along often, and it promises to become a new favorite. North American Premiere.
NESTING DELIVERS A VISCERAL LOOK AT MOTHERHOOD
A familiar name to Fantasia audiences, Chloé Cinq-Mars returns to the festival with her debut feature, NESTING (domestic title: PEAU À PEAU). Delving into the quiet horrors of early motherhood, the film opens with a scream in the night. Pénélope (Rose-Marie Perreault, FAKE TATTOOS), a new mother grappling with sleep deprivation and postpartum depression, finds herself unable to separate dream from reality. After witnessing a violent hold-up in a bodega, her already fragile psyche begins to crack. Sensitive and haunting, NESTING offers an intimate, unsettling portrait of a mother unraveling. Perreault delivers a career-defining performance, capturing Pénélope’s disintegration and tender attempts at self-reclamation. Denied the idealized “glow” of new motherhood, she’s left to drift in darkness, slowly losing her grip on reality. What emerges is a chilling and deeply human exploration of identity, isolation, and the aching silence surrounding maternal mental health. Les Fantastiques Week-Ends du Cinéma Québécois Section. World Premiere.
FINE ART AND FREAKY FUN COLLIDE IN TAROMAN: EXPO EXPLOSION
Osaka, Japan, site of Expo ‘70, is again hosting the world’s fair in 2025. Emblematic of the original Expo is the sculpture/building Tower of the Sun, envisioned and designed by renowned artist Taro Okamoto, “the Japanese Picasso”, a challenger of conventions driven to liberate creative expression for one and all. His works and ideas inspired director Ryo Fujii and the team behind the 2022 TV series TAROMAN, broadcast on the NHK network. Mixing mockumentary elements with the tropes and aesthetics of 1970s tokusatsu superhero shows – ULTRAMAN in particular – the series was purported to be an obscure archival find… and the result? A sublime mix of public art education, nostalgic invention, and gleeful weirdness for its own sake. With such big ideas and such a gigantic protagonist, never to mention the World Expo’s return to Osaka this year, Fujii and friends simply had to revive TAROMAN for the big screen. TAROMAN: EXPO EXPLOSION has arrived, and with a big bang! World Premiere.
AN ABSURDIST THRILL RIDE ON THE WINGS OF DRAINPIPES AND DEGENERACY: FLUSH
Middle-aged coke fiend Luke (R. Jonathan Lambert, Quentin Dupieux’s REALITY) has
gone to confront his ex at the club where she works, determined to somehow win back her love. One thing leads to another and he soon finds himself wedged firmly in a toilet, effectively trapped in a bathroom stall – with a heap of drugs that he stole from the bar’s resident dealer. He’s soon found, setting off an increasingly crazy series of events as Luke’s world is assailed from every conceivable direction in a bizarro race against time that will have you gasping for air. After years of winning awards everywhere from Clermont-Ferrand to Sitges with his inspired short film work (DERNIER CRI, PARIS BY NIGHT OF THE LIVING DEAD…), Parisian super force Grégory Morin has made a feature, and it’s utterly, gloriously insane. Evocative of Dupieux by way of Gaspar Noé and early Álex de la Iglesia, FLUSH is as inventively delirious as it is wickedly cinematic, a real-time, over-the-top blast of absurdist indie brilliance. World Premiere.
eSPORTS THRILLER GOOD GAME SCORES HIGH
Grab your controllers! With its exciting mix of badass action and the first-person-shooter perspective of HARDCORE HENRY, the Hong Kong eSports thrill ride GOOD GAME is a total blast! Tai, the middle-aged owner of a failing internet cafe, joins a gaming tournament to hopefully win the grand-prize money and save his business. He assembles a team of oddballs, and these underdogs will have to combine their strengths in gaming if they’re to win this fierce competition. Director Dickson Leung Kwok-Fai makes sure you’re constantly locked in and immersed in the narrative, providing a stylish, high-energy experience that makes you feel like you’re part of the game—and an inspiring and genuine story loaded with a never-say-die spirit. World Premiere.
MICHEL GONDRY GETS CRAFTY FOR HIS LITTLE GIRL WITH MAYA, GIVE ME A TITLE
In high demand for his cleverness and creativity, French director Michel Gondry (THE SCIENCE OF SLEEP, BE KIND REWIND, and legendary music videos for the likes of Björk, Daft Punk, and the White Stripes) is often away from home for work. To keep connected with his beloved daughter Maya, he made nightly calls with requests for story titles, to prompt quick, rough little animations crafted with colored paper, markers, and scissors, always starring Maya herself. MAYA, GIVE ME A TITLE assembles an assortment of these little vignettes. Whether she’s a mermaid, a ship’s captain, an earthquake investigator, or just herself shrunk by cucumber-reducing solution, Maya’s tales are told in true Gondry style—wry, inventive, tactile, favoring the excitement of process over polished final product. Oh, and it’s all voiced and narrated by Pierre Niney, star of last year’s Fantasia hit THE COUNT OF MONTE-CRISTO! My First Fantasia and Animation Plus Sections. North American Premiere.
GET YOUR RAINCOATS OUT FOR THE BOOK OF SIJJIN AND ILLIYYIN
A woman regularly belittled and bullied by her employers calls upon evil forces to obtain her vengeance in the most heinous ways. Blending Islamic folk horror, ocular torture à la Lucio Fulci, and imagery evoking THE EVIL DEAD, Indonesian director Hadrah Daeng Ratu’s THE BOOK OF SIJJIN AND ILLIYYIN will satiate even the most ravenous fans of gore and ultraviolence. Writer Laila Lele offers a gut-churning script that plunges us into the heart of a waking nightmare in which even children aren’t safe – and can end up splattering the walls like miniature Jackson Pollock artwork. Viewer discretion is highly advised, as Indonesia has become an inexhaustible source of terrifying works, generous in their offerings of gore, twisted tales, and fascinating Muslim mythology populated by djinns and other demons. All we can do is sit back and take pleasure in discovering and exploring, to our own risk and perils! North American Premiere.
TWO WORLDS COLLIDE IN A VIOLENT CRESCENDO: ANNA KIRI
A young delinquent woman narrowly escapes a violent altercation with a local gangster after a robbery gone wrong. Anna (Catherine Brunet, FARADOR, IN MEMORIAM) seizes the chance to turn her life around, but soon realizes the price of freedom is high and the past is not so easily left behind. Francis Bordeleau’s second feature is a unique exploration of a young woman’s emancipation and a quest to find her voice through relationships and writing. Brunet’s performance is stellar and she is accompanied by an impressive cast including Charlotte Aubin (L’EMPEREUR, VIRAGE), Maxime de Cotret (LE PLONGEUR, FRONTIÈRES), Caroline Néron (STAT, ÉTERNELLE), and Anne-Marie Cadieux (SOLO, LES HOMMES DE MA MÈRE). A thriller in its own right, sometimes playful yet often tense and shocking, ANNA KIRI creates a sharp juxtaposition between the lowest rungs of the city, struggling to make ends meet, and the elegant if not outright elitist members of the literary scene. The two worlds attempt to coexist on screen, setting up a collision course… and an explosive conclusion. Les Fantastiques Week-Ends du Cinéma Québécois Section. World Premiere.
DAIGO MATSUI’S REWRITE REWRITES THE TIME-LOOP TALE
Fantasia alum Daigo Matsui returns this year with another hit, collaborating with talented screenwriter Ueda Makoto, who previously worked with Junta Yamaguchi on Fantasia-favorite time-loop films BEYOND THE INFINITE TWO MINUTES (2021) and RIVER (2023). REWRITE brings fresh ideas in the beloved genre, challenging and plays with audiences’ minds. Transfer student Yasuhiko has had an amazing 21 days with Miyuki. Their shared secret, that Yasuhiko comes from the future, binds them closer. This seemingly cute, slightly sad, coming-of-age time-travelling romance somehow doesn’t work the way it should, though. What could be wrong? Are there more secrets to come? The outstanding performances include Elaiza Ikeda (SADAKO), Yuki Kura (SHOGUN), Ai Hashimoto (HOLD ME BACK), and J-pop idol Kei Adachi’s acting debut. If you had the chance, would you rewrite your past? North American Premiere.
THE NETHERLANDS BRINGS GOOD TIME THRILLS STRAIGHT OUTTA SPACE!
Best friends Amin (Shahine El-Hamus, THE PROMISE OF PISA) and Mitchell (Daniël Kolf of Netflix’s FOREVER RICH) work as street coaches in the lively neighborhood of Schijndrecht. It’s not exactly a flashy job, but that all changes when the people around them transform into creepy, slimy creatures due to intergalactic intervention. Together with a motley crew of local residents, the duo gets the ultimate chance to prove themselves to their entire community, or at least, what’s left of it. It’s not every day that the Netherlands produces a big-budget sci-fi / horror / comedy, let alone one that tackles gentrification in such witty ways. Directed with style by Cannes Lion winner Michael Middelkoop (TRAUMA PORN CLUB) and co-written by Fantasia alumni Nico van den Brink (MOLOCH, SWEET TOOTH), STRAIGHT OUTTA SPACE plays like an especially unhinged – and very, very Dutch – variation of ATTACK THE BLOCK by way of NIGHT OF THE CREEPS… with just a touch of NIGHT OF THE COMET. It’s full of personality, big set-pieces, and a ton of goopy, high-energy fun. North American Premiere.
FRAGMENT IS A GUT-WRENCHING FILM SHOWCASING NEWCOMERS WITH UNDENIABLE TALENT
The emotional and powerful FRAGMENT follows the lives of two teenagers intertwined in a devastating way. Jun-gang (Oh Ja-hun) takes care of his little sister while being threatened with eviction, while Gi-su (Moon Seong-hyun) lives alone since his father was killed… by Jun-gang’s father. Will they be able to resist the vicious cycle brought on by such a sordid crime? FRAGMENT explores pain, trauma, and conflict in a profound and intense way that stays with you long after the credits roll. With this shattering first feature, pondering the heartbreaking choice between vengeance and redemption with acute maturity, writer/director Kim Sung-yoon has already known significant success on the festival circuit, receiving three prizes at his World Premiere at the Busan International Film Festival in 2024 and another win in Florence in 2025. Carried by the stellar performances of three exceptional young actors, this dramatic suspense story is sure to leave no one indifferent. North American Premiere.
DARK LAUGHS AND WARM HEARTS IN KAZAKH SCI-FI ADVENTURE STINKER
In a remote corner of Kazakhstan, three unlikely characters cross paths: a despairing old man, a grouchy shopkeeper, and an alien just trying to get home. With the gentle help of a curious granddaughter, walls begin to break down. But with a government motorcade soon to arrive and a bumbling cop hot on their tails, can this misfit group somehow hold together? Renowned for his roles in SLOW HORSES (2022) and MCMAFIA (2018), Yerden Telemissov makes his directorial debut with STINKER, a darkly funny yet surprisingly sweet sci-fi adventure. Featuring excellent performances from Bakhytzhan Alpeis (Honored Worker of the Republic of Kazakhstan), acclaimed stage actress Irka Abdulmanova, Chingiz Kapin (DISSOLVE), and Dulyga Akmolda (SWEETIE, YOU WON’T BELIEVE), STINKER is a quirky and touching journey into what it means to accept “the other” – no matter how strange they may seem. North American Premiere.
FOR STYLISH SCI-FI ANIME THRILLS, ALL YOU NEED IS ALL YOU NEED IS KILL!
Innovative in its gameplay-based narrative, the Japanese science-fiction novel ALL YOU NEED IS KILL by Hiroshi Sakurazaka was a landmark in 2004. In the decade that followed, the time-looping alien-invasion tale had been adapted as a manga and as the Tom Cruise and Emily Blunt Hollywood blockbuster EDGE OF TOMORROW. It’s taken yet another decade, but the kick-ass anime feature it so rightfully deserves is finally here. Repetition may be the mechanism of this recurring story, but this anime version keeps the franchise fresh by retracing the events from the point of view of the original’s “Player Two”, the sullen, red-haired Rita. It’s a visually striking, wildly dynamic, and incredibly intense piece of work, as one would expect from the intrepid team at STUDIO4°C. Director Kenichiro Akimoto delivers his vision of this tale with panache, fierce and fluid action, and a look all its own. Animation Plus Section. North American Premiere.
A RIOTOUS STRUGGLE FOR INDEPENDENT ART UNFOLDS AS THE TROMA TEAM OCCUPY CANNES
Don’t miss this moving, hilarious, and inspirational documentary following legendary filmmaker (and creator of THE TOXIC AVENGER) Lloyd Kaufman – recipient of this year’s inaugural Indie Maverick Award at Fantasia – leading the Troma Team’s fight to sustain independent art amidst an industry that increasingly removes any space for outsiders. Known for deliriously boundary-pushing works of maximalist insanity, NYC-based Troma Entertainment may be the last surviving truly independent film studio. They’re also at risk of going extinct. After 40 years of selling films at Cannes, OCCUPY CANNES follows them on what could be their final trip, as their notoriously crazy publicity stunts are consistently shut down by the authorities while they encounter endless obstacles in spaces they once had a place at. The film is presented through the lenses of Kaufman’s daughters, director Lily-Hayes and director of photography Charlotte, who possess unparalleled access to Troma frees them to pose questions that no other filmmakers could. Does Kaufman’s defiant stance attract buyers or ostracize Troma from the industry’s inner circle? Can Troma survive in an ever-shifting and consolidating entertainment industry? Can any independent artist survive? Documentaries From the Edge Section. World Premiere.
HAUNTED MOUNTAINS: THE YELLOW TABOO TAKES A HIKE INTO HELL
A couple’s peaceful hiking trip takes a wrong turn and becomes a nightmare when a mysterious force targets Yu Hsin, repeatedly taking her life in horrifying ways. Chia Ming, unfortunately, is trapped in a time-loop and forced to witness her death over and over, yet powerless to stop it. What went wrong? Why Yu-Hsin? Directed by emerging director Tsai Chia Ying and adapted from one of the scariest urban legends of Taiwan, HAUNTED MOUNTAINS: THE YELLOW TABOO, depicts not just traditional horror, but with a layered narrative explores love, grief, and the emotional burdens we carry. With a powerful cast including Jasper Liu (MORE THAN BLUE), Angela Yuen (CHILLI LAUGH STORY), and Tsao Yu Ning (PIERCE), HAUNTED MOUNTAINS: THE YELLOW TABOO brings not just scares but also a reflection on the ties that bind us. International Premiere.
A MAGIC REALIST FAIRY TALE UNLIKE ANYTHING YOU’VE EVER SEEN: CIELO
Eight-year-old Santa (Fer Monserrat), a plucky indigenous girl, seeks to rescue her mother from violence and poverty. With unlikely allies, she performs miracles across Bolivia’s sublime landscapes, where survival becomes a sacred, elemental act of love and divine ritual. CIELO, directed by Alberto Sciamma (JERICHO MANSIONS, KILLER TONGUE) and featuring an extraordinary lead performance from its gifted young star, presents itself as an achingly beautiful elemental tale, packed with the sacred energy of magical realism, despite its darker themes Ultimately, is a mythopoetic story – THE FLORIDA PROJECT, if it were retold by Clarissa Pinkola Estés – one which re-fashions the traditional Hero’s Journey into an ode to feminine resistance as an act of love in the face of violence. A modern fairy tale unlike anything you’ve ever seen, CIELO World Premiered at the Fantasporto Film Festival earlier in the year, winning three awards at its very first bow. North American Premiere.
MONTREAL MILLENNIAL SLACKERS VERSUS GENTRIFICATION IN MESSY LEGENDS
Adapting their iconic short film MESSY LEGEND for their feature debut, Montreal icons Kelly-Kay Hurcomb and James Watts bring a slacker comedy for the modern age to Fantasia with MESSY LEGENDS. Following a group of disaffected millennials clinging to the past, the film takes place over one night along Montreal’s St. Laurent strip. Desperate, funny, and awkward, the movie captures the city in a state of flux, as the rising cost of living and inaccessible housing slowly erode the artsy slacker culture that once flourished in the city. For the former disco-pant wearers and OG fans of The Unicorns, MESSY LEGENDS aims for the hearts of former cool millennials unable to let go of what once was and never will be again. Underground section, World Premiere.
GARO: TAIGA MARKS THE 20TH ANNIVERSARY OF THE TOKUSATSU FRANCHISE
Since the 1980s, director, screenwriter, and designer Keita Amemiya (KAMEN RIDER, ZEIRAM) has brought his special touch, full of surprising innovations and peculiar fascinations, to the universe of tokusatsu—Japanese sci-fi cinema and television. For the last twenty years, Amemiya’s main focus has been his ever-expanding world of GARO, an ongoing chronicle of otherworldly conflict resplendent with gothic gravitas and gruesome monsters, mystical symbolism, and elegant steampunk accents. The latest work reveals the story of Taiga Saejima, who, like his descendants after him, assumes the lupine aspect and magical armor of Golden Knight Garo to battle the demonic Horrors. Entirely accessible to newcomers to the franchise, GARO: TAIGA marks its 20th anniversary in grand style. World Premiere.
THE SILVER SCREEN TURNS PINK FOR BARBIE BOOMER
67-year-old Sylvie is a passionate Barbie collector. To make sure that her collection lasts over time, she decides to donate some of her childhood dolls to the Musée de la civilisation in Quebec City, which agrees to evaluate the proposal. But will she be able to cope with the grief of separation, especially as the physical condition of her best friend Linda, also a Barbie collector, is affected by severe illness? BARBIE BOOMER is an incredibly moving new film by Marc Joly-Corcoran (QUE LE FAN SOIT AVEC TOI). Les Fantastiques Week-Ends du Cinéma Québécois and Documentaries from the Edge Sections. World Premiere.
Bloody Flicks 