By Mark Hockley
This languid, picturesque film will try the patience of many. The story features three young women who plan to escape from a controlled, walled-off palace somewhere in the countryside. It’s sedate and serene, but the women, to varying degrees, are not content with their existence. The question of their acceptance of a peaceful but repressive life, drives the narrative.
In terms of direction and cinematography this Polish production with English subtitles, is first rate. The film has an atmosphere and style unlike anything produced in the U.S. or the U.K. While the film-makers have a definite vision, by the time the low-key conclusion arrives, there is no real resolution. Even so, a final decision of changing loyalties lingers in the mind.
A meditation on the true nature of freedom, many scenes outstay their welcome, but the film is difficult to entirely dismiss. The performances of the three lead actresses hit all the right notes and visually there is much to appreciate. Ultimately though, it’s the pacing that has a detrimental effect. There is a lack of focus, particularly in the mid section, where some impetus would have been very welcome.
I think it’s safe to say that those who enjoy Glorious Summer will value its contemplative examination of control and quiet rebellion. I found it to be both alluring and tiresome in equal measures.
Glorious Summer screened as part of SXSW Film Festival 2025.
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