By Terry Sherwood
J.D. Barker’s Something I Keep Upstairs is an atmospheric haunted house novel that blending elements of suspense, friendship, and supernatural horror. Set on an isolated island off the coast of New Castle, New Hampshire, the novel immerses readers into small town life and the effect that terror can
Barker’s evokes an unsettling atmosphere is one of the novel’s strongest elements. The isolated island, the looming mansion, and the slow unraveling of its sinister past create a tension that builds steadily throughout the story. As Billy Hasler and his friends embark on what should have been a carefree final summer before college, they instead find themselves entangled in a mystery far darker than they ever imagined. The setting plays a pivotal role, almost becoming a character itself, and Barker’s vivid descriptions make it easy to feel the oppressive weight of the island’s history.
The novel’s emphasis on friendship adds depth to the people within the world. As secrets unravel and the group faces increasing danger, their bond is tested in ways that make for interest. Themes of obligation and sacrifice weave through the narrative, adding layers of complexity to what could have been a straightforward haunted house story.
I first came in contact with J D Barker though the previous work, Dracul, co-written with Dacre Stoker, is a dark gothic horror novel that serves as not as a prequel to Dracula but more historical fiction. Unlike traditional vampire tales, Dracul delves into the life of Bram Stoker, focusing on his childhood and the events surrounding his mysterious nanny, Ellen Crone… Odd but still satisfying whimsy. Much like Something I Keep Upstairs, Dracul creates tension and unease, giving the author ample opportunity to weave a haunting narrative.
However, where Something I Keep Upstairs slightly falters is in character development and the tone. While each member of the group has a role to play, it is sometimes difficult to fully connect with them on an emotional level. For a horror story to truly grip its audience, investment in the characters is crucial, and at times, their struggles and decisions felt somewhat distant. Additionally, certain plot elements meander away from the main story, which slows the pacing in places. While these moments don’t completely detract from the novel’s overall appeal, they do introduce sections that could have been streamlined for a tighter, more immersive experience. The tone tends to be in the genre of Summer Read horror as I call it a little too folksy at times for me, more reminiscent of a Norman Rockwell print or treading into the links of Americana such as ‘golden age ‘Ray Bradbury. This is not dark, hallucinogenic beasties from another world ripping one up like Guy N Smith nor is it the profanity-filled goulash of Joe Hill. In some ways, the author reminds one of British author James Herbert with his novels The Rats and The Fog.
Despite these minor shortcomings, Something I Keep Upstairs remains a gripping if not light read.. Enjoy the added surprise near the stories conclusion. Fans of atmospheric horror, haunted house tales, and psychological suspense will probably find much to appreciate in this novel.
Bloody Flicks 